Scott and Sue Family

The Square Dance quilt is a modern log cabin variation by Nora Conant, found in the Aug/Sept 2013 issue of QUILT magazine on page 17. The pattern makes a quilt 75″ square with the blocks set 5×5, but I wanted a smaller quilt. I made it 60″ square with the blocks set 4×4 and it makes a nice lap quilt. I was trying to match a particular palette since it was a gift, so I used some fabrics from my stash and purchased others. The fabrics I used include:

tan-Riley Blenders C200 by Riley Blake Designs
gray pattern-Civil War Times Miniatures by Erin Turner for PR Galleries Penny Rose Fabrics C245
green with small squares-Civil War Times Miniatures by Erin Turner for PR Galleries Penny Rose Fabrics C240
maroon star-Civil War Times Miniatures by Erin Turner for PR Galleries Penny Rose Fabrics C255
orange-Riley Blake Designs
blue plaid-Mixology: Woven #2143 by Camelot Design Studio
blue dot-O.B.O. by stoffabrics.com #MS15-38as
green swirl-Baltimore Classic Collection 1840-1860 by Judie Rothermel for Marcus Bros. Textiles
brown swirl-Isabella C4003 by Lila Tueller Designs for Riley Blake Designs
green plaid-“Do You See What I See?” by Leanne Anderson for Henry Glass
backing-Antique Cotton by Marcus Fabrics #1740

It was machine quilted at Thimbles & Threads in Draper with tan thread in a digital box style with curved corners that softened all the squares but stayed in the theme. I pieced the back with leftover strips to break up the large backing piece and give it visual interest. 

 

I began this quilt in 2013 after Scott gave me the charm packs of fabric for Christmas in 2012. I cut up the colors and the white background squares, put them in a project box, and got distracted by shiny new things. Then in a fit of wanting to finish projects with fabric I already owned so I could buy more, I sewed up the top in 2015 and put it back in the project box to wait until I had time to hand-quilt it. Because that takes a long time, and others were getting done which had priority, plus I still didn’t have anything for backing. Then I found some blue Mimosa fabric on clearance last year and picked that up for backing. Added it to the box but still didn’t have time in the queue for hand-quilting because I was working on a hand-applique quilt with my quilt group. Then in February I found some gray Mimosa fabric on clearance that was perfect for the binding, so I picked that up. All the pieces were in place.

What motivated me to get it done all of a sudden? My quilt group convinced me I could do straight-line quilting on my own sewing machine. And I needed another quilt to take on our early April road trip and sew binding in the car. So I dug it all out at the end of March, did the quilting in two sessions over two days, made the binding and sewed it on, then packed it for the trip. I sewed on the binding as we drove to the Midwest and got a photo shoot at Almanzo & Laura Ingalls Wilder’s farm on one of the few non-rainy days of the trip. And it’s a finish for the win!

The pattern is a free Moda BakeShop Original Recipe by Material Girl Quilts called Interwoven. It looks like the fabric is kind of woven like a basket. The top used two Mimosa by Another Point of View for Windham Fabrics charm packs in the turquoise, lime, and gray patterns of the line, and the back and binding are also from the Mimosa line. I don’t know the white background I used, but it has tone-on-tone swirls that are very cute up close. I used white thread and quilted in the ditch along every horizontal row and vertically down the columns which each included a color and a square. So the quilting is very low-key but I like it and for my first attempt, it’s good. A label finishes it up and it’s another quilt checked off my WIP chart for 2017!

 

I began this quilt at the St. George retreat I attended in January 2015. It was taught by Melissa Corry from her book, Irish Chain Quilts and I got one of each block type made during the retreat. Plus a photo opp!

Then it languished for a long time as other projects came up and I had to gifts to make, plus quilts for Festival of Trees that benefits Primary Children’s Medical Center. So along about the fall I decided to make this quilt a semi-priority and get it done. I got it all out, remembered how it worked, and then did many of the blocks as Leaders & Enders while working on other projects. It’s amazing how much you can get done while sending through one additional seam after every seam you’re intentionally working. All of a sudden you have enough little pieces sewn together to make a whole block! That’s basically how this quilt ended up going. When I had a bunch of almost-blocks ready, I focused and sewed together a bunch of blocks, laid them out, and started sewing together some rows. And the quilt magically came together.

It’s an Irish Chain variation called “Two Paths Crossed”, as the reds and greens line up into chains across the quilt. The green is Dapples by Free Spirit for Westminster Fabrics and the red is Essentials by Wilmington Prints. The gray background is a fleur-de-lis type swirl called Jams & Jellies by Jill Finley for Henry Glass & Co., and the small square centers and the binding are Atelier by 3Sisters for Moda. It was machine quilted with gray thread using the Drop of Paisley pattern by Linda at Just Sew. 

I had some extra blocks so I laid them diagonally across the back, cut strips of the chevron fabric, Remix by Ann Kelle for Robert Kaufman, to fit on each side, then cut border strips of the red for the top and bottom. So there it is! This is destined to be the quilt for the downstairs guest bedroom.

I really enjoyed meeting Melissa at the retreat and learning some of her strip cutting and piecing techniques that were applied to this quilt. It took me a year and I have more to finish from that retreat, but here’s the first!

During January we finished all the pieced blocks and had three applique blocks left. The first of these is #40 Friendship Dahlia. We chose the fabrics, traced and cut the patterns, fused the webbing to the fabric and got them all fused to the 9×9′ background. Then it was time to do the blanket stitching on our machines. We all chose different fabrics and centers and when it came to thread color, there was a fair amount of debate. In the end ShaRee and Terry opted for blue and brown, matching their center circles. I did white to contrast with my black center. None of us wanted to do all different threads as we thought it would be too distracting. Once we finally did all the prep work, it took some time to sew and we ended up finishing the next week when we did all of the next block. [Read more…] about Ode to the 1930’s Block 40, 41, & 42